From Edom, he gave light to his people, and his glory was shining from Mount Paran. Thousands of his warriors were with him, and fire was at his right hand. El texto de todo este cap. In dextera ejus ignea lex. They listen to his words and worship at his feet. Ils se sont tenus à tes pieds, Ils ont reçu tes paroles. With his hands he contended for himself; And thou shalt be a help against his adversaries. Que ses mains soient puissantes, Et que tu lui sois en aide contre ses ennemis!
Il ne distingue point ses frères, Il ne connaît point ses enfants. Car ils observent ta parole, Et ils gardent ton alliance. Hi custodierunt eloquium tuum, et pactum tuum servaverunt.
Brise les reins de ses adversaires, Et que ses ennemis ne se relèvent plus! Percute dorsa inimicorum ejus : et qui oderunt eum, non consurgant. He will live among your hills and protect you.
Let the blessing come upon the head of Joseph, And upon the crown of the head of him that was separate from his brethren.
He rides across the heavens to help you grow
Que la grâce de celui qui apparut dans le buisson Vienne sur la tête de Joseph, Sur le sommet de la tête du prince de ses frères! This ritual will be done in English, and is written by me.
Keep reading. Taranis is the unmistakable Celtic god of the heavens, more commonly known as the thunder god. Often thought to come by his boisterous tendencies honestly, Taranis was said to infiltrate the sky with thunderous energy when he became inebriated after drinking too much Celtic mead.
As mead was often a constant during celebrations of marriage and battle victories, Taranis was a good-humored god and served as a figure of whole-hearted joy and zeal. As with all Celtic gods and goddesses, Taranis also had a dual nature. When provoked he could bring the fury of the skies down to smote those in need of punishment. Nevertheless, Taranis is generally depicted as a fair god, and slow to wrath.
Taranis is commonly seen riding across the heavens in a chariothis horses very much a part of his power — their galloping hooves would usually produce the crack of thunder and sparks of lightening in the skies. A smaller leaping figure with a horned helmet also is holding the rim of the wheel.
Under the leaping figure is a horned serpent. The group is surrounded by griffins and other creatures. There have been posts going around about making spells and praying for rain. As Gauls, we gotta do it loud. My Practice is Irish-based with some influence from the other Gaelic cultures, but Gaulish is outside my field of knowledge though I aim to change that soon!
So, my best guess is gonna be to contact some Gaulish Polytheists her on tumblr. Also, any Gaulish Polytheists out there, or anyone who knows some, please reblog for both me and Anon here! Is it a car, or is a transformer pretending to be a car? The jury is still out on that one. The name has been borrowed from the Celtic god of thunder, who is normally depicted holding a wheel in one hand and a thunderbolt in the other.
The arms that connect the wheels to the cabin have been double jointed, allowing for large suspension setups to soften and adjust to the terrain. Not forgetting an element of style with the off-roader, Morris has dropped in a pair of gull-wing doors and a high-spec interior. So when do we get to drive one? Someone give this man a job.
External image External image External image. Did Loki here and Thor here; more, as requested, below. Disclaimer, though, they were hard enough the first time. And for Thor, Conquest by Sound of Arrows:.
And also, I appreciate your sensitivity toward my preferences! They remind him of himself, but in a cuter context. He has a few CD and cassette tape collections among the clutter in his room, as well as a hoard of broken headphones that he refuses to throw out.
Tara was a gigantic Shakespeare nerd in his early High School years. He gets really uneasy around ambulances and being in boats on large bodies of water as a result. Favorite: He went to a concert for his favorite indie band, waited all night in line to get his album and t-shirt signed by the band members, and since he was the last in line before they had to leavethey took lots of pictures with him and made friends with him on social media.
Your character is given a voodoo doll of themself. What do they do with it? Do they see if it actually works? So I wrote a thing in ten minutes and I decided to just post it.
Might post the raw pencil sketches of the narrator later, for the sake of having more art on my blog. Jetzt komme, Feuer! Hier aber wollen wir bauen.
Denn Ströme machen urbar Das Land. Man nennet aber diesen den Ister. Schön wohnt er. Es brennet der Säulen Laub, Und reget sich. Der scheinet aber fast Rückwärts zu gehen und Ich mein, er müsse kommen Von Osten.
Vieles wäre Zu sagen davon. Und warum hängt er An den Bergen grad? Der andre, Der Rhein, ist seitwärts Hinweggegangen. Umsonst nicht gehn Im Trocknen die Ströme. Aber wie? Darum sind jene auch Die Freude des Höchsten. Denn wie käm er Herunter? Und wie Hertha grün, Sind sie die Kinder des Himmels.
Aber allzugeduldig Scheint der mir, nicht Freier, und fast zu spotten. Nämlich wenn.
Ride the high horse idiom meaning
Come to us, fire! We are avid For sight of day, And when the ordeal Has passed through the knees, Woodsong is within hearing. But we sing, having come Far from the Indus And Alpheus, we have long sought Adequacy to fate, It takes wings to seize The nearest things Immediately And reach the other side.
Let us settle here. For the rivers make the land Arable. If there be vegetation And animals come to water At the banks in summer, Here men will also go. And they call this the Ister. Beautiful his dwelling. Leaves on columns Burn and quiver. They stand in the wild, Rising among each other; above which Surges a second mass, The roofing of rock. So it does not Surprise me he had Hercules as a guest, Far-shining, up from Olympos, Having left the Ishmos heat In search of shade, For though they had great fortitude In that place, spirits also need The cool.
He therefore chose To travel to these springs and yellow banks With their ascending fragrance and black With firs, and these valleys That hunters love to roam At noon, when you can hear the growing Of the resinous trees of the Ister.
Which almost seems To run backwards and Strikes me must come From the East. Much could be said Of this. And why does he cling So steep to these hills? The other, The Rhine, ran off Sideways. There is a reason rivers run Through dry land. But how? How could He otherwise Descend? And like green Hertha, They are the children of heaven. Yet this one here Strikes me as all too placed, barely Free, almost laughable. For when In his youth The day come of him to begin To grow, the Rhine is already there, Driving his splendor higher, champing at the bit, Like a colt, with the winds hearing His passage in the distance, While this one lies content.
But rock needs splitting, Earth needs furrowing, No habitation unless one longer; But what he does, the river, Nobody knows. David Barison and Daniel Ross. The river has many names.
Among some peoples the words Danube and Ister were used respectively for the upper and lower courses, but sometimes for the entire length. Pliny, Strabo and Ptolemy wondered where the one ended and the other began: maybe in Illyria, or at the Iron Gates.
The German scholar who travels fitfully along the whole course of the river carries with him his baggage of fads and quotations; if the poet entrusts himself to his bateau ivrehis understudy tries to follow the advice of Jean Paul, who suggested that on the way one should gather and record no only visual images but old prefaces and playbills, railway- station gossip, epics and battles, funerary and metaphysical inscriptions, newspaper clippings, and notices pinned up in taverns and parish halls.
Reflections and impressions of whom? When we travel alone, as happens rides du front aylmer news too often, we have to pay our way out of our own pocket; but occasionally life is good to us, and enables us to see the world, if only in brief snatches of time, with those four or five friends who will bear us witness on the Day of Judgment, and speak in our name.
Between one trip and the next we attempt to transfer the bulging files of notes onto the flat surface of paper, to get the bundles of stuff, the note-pads, the leaflets and the catalogues, down onto typewritten sheets. Indeed, we go almost like orphans, says Hölderlin in his poem on the sources of the Danube: the river flows on glittering in the sunlight, like the non-existent luminous spots on the wall, the neon dazzle.
A tremor of nothingness sets fire to things, the tin cans left on the beach and the reflectors of motorcars, just as sunset makes the windows blaze. The river adds up to nothing and travelling is immoral: this is what Weininger said, as he was travelling. But the river is an old Taoist master, veloute de courgette dietetique along its banks it gives lessons on the great Wheel and the gaps between its spokes.
In every journey there is at least a smattering of the South, with hours of relaxation, of idleness. Heedless of the orphans on its banks the Danube flows down towards the sea, towards the supreme conviction. If I could burn you through the window I would to wake you up. Not me. Just keep on like I do and pay no attention. Just keep right on, I like it. The Sun shines on the jungle, you know, on the tundra the sea, the ghetto. Wherever you were I knew it and saw you moving.
I was waiting for you to get to work. Not everyone can look up, even at me. It hurts their eyes. I know you love Manhattan, but you ought to look up more often. And always embrace things, people earth sky stars, as I do, freely and with the appropriate sense of space. That is your inclination, known in the heavens and you should follow it to hell, if necessary, which I doubt. Go back to sleep now Frank, and I may leave a tiny poem in that brain of yours as my farewell.
A hundred and forty suns in one sunset blazed, and summer rolled into July; it was so hot, the heat swam in a haze— and this was in the country. Beyond the village gaped a hole and into that hole, most likely, the sun sank down each time, faithfully and slowly. And next morning, to flood the world anew, the sun would rise all scarlet. Day after day this very thing began to rouse in me great anger. Stop crawling into that hellhole! Listen, goldbrow, instead of going down, why not come down to tea with me!
Toward me, of his own good will, himself, spreading his beaming steps, the sun strode across the field. I tried to hide my fear, and beat it backwards.
His eyes were in the garden now. Then he passed through the garden. You called me? Give me tea, poet, spread out, spread out the jam!
Gym pour rides yeux
But, from the sun, a strange radiance streamed, and forgetting all formalities, I sat chatting with the luminary more freely. And do you think I find it easy to shine? Just try it, if you will! For what darkness was there here? We warmed up to each other and very soon, openly displaying friendship, I slapped him on the back. The sun responded! I shall pour forth my sun, and you—your own, in verse. A commotion of verse and light— shine all your worth!
Drowsy and dull, one tired, wanting to stretch out for the night. Suddenly—I shone in all my might, and morning ran its round. Always to shine, to shine everywhere, to the very deeps of the last days, to shine— and to hell with everything else! Cy Twombly, Untitled [from Blooming.
The clouds part revealing a mythology of clouds assembled in light of earliest birds, an originary text over water over time, and that without which.